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Robert Orlowski















Filmmaker 
Cinematographer













Robert Orlowski (he/they) is a filmmaker, cinematographer and occasionally a writer working across narrative, documentary, and experimental filmmaking.

Their current research interests include what he likes to think of as “cinema off the screen”, the economy of artist made imagery and the seldomly recognized intersectionality between orphan films and “experimental” films. With this in mind, he hopes to imagine and implement sustainable ways of creating and sharing.

Their most recent work has screened at venues and platforms such as: Alchemy Film and Moving Image Festival, The Criterion Collection, Fracto Experimental Film Encounter, ICDOCS, IndieLisboa, Laterale Film Festival, Light Field, Microscope Gallery, Mono No Aware Festival, Now! A Journal of Urgent Praxis, Palm Springs Short Fest, and the Transient Visions Festival of the Moving Image. In 2019 he was a Tribeca If/Then Grant Finalist.

When he is not working on films they are often discovering music and sharing it the communities around him. Check it out here...  ︎






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Filmography


Not For Sale - (2026)
Slinky - (2025)
She Dreams In Color - (In progress)
(N/A) Not Available - (2022)
Mighty Bright Light (2020)
Continuous Becoming - (2019)
From Day to Night - (2018)
From March to June - (2016)










My current filmmaking interests involve exploring alternative approaches to documentary film practice. By embracing improvisiation, open-endedness and ambigiuity I hope to engage in a documentary form which emphasizes collaboration, and allows the subjects to shape the filmmaking process in a more active way. I hope to share these projects as a way to bring together audiences and offer a space in which people can create friendships and community with each other.   



















































While each director I work with is different, establishing some form of friendship before we begin collaborating is key to establishing trust and comfortability. I believe that the praxis of filmmaking should consider not only the time we are preparing and filming, but more importantly hold value for the time when the crew and team can rest, share, and be social. With these values understood, the creative process can begin. The role of the cinematographer is not static and the values of my collaborators shape how we create together. Sometimes I am responsible for conceptualizing the frame entirely, other times I am required to interpret strict directions, overall I aim to stay flexible to what will serve the film’s goals.


Cinematography


She Dreams In Color - (In Progress)
Bounce House - (2024)
Vermont - (2023)
Last Summer on Bainbridge Street - (2021)
Intimate Views - (2020)
Stillwater Circle - (2020)
Lake Arrowhead - (In Progress)
Better Days - (2018)
Congratulations Debby - (2017)
Exit  9 - (2016)